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Archive for March, 2008

In the November 19, 2007 issue of The New Yorker, in the Onward and Upward with the Arts section, there is an article by Claudia Roth Pierpont entitled The Player Kings – How the Rivalry of Orson Welles and Laurence Olivier made Shakespeare Modern. Along with the stated thesis the article consists mainly of a [...]

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It was either the fall of 1981 or the spring of 1982, after Ronald Reagan had been president for about a year, when, after a week in Milan, I went to Rome for a week’s work with our Italian partner Olivetti Consulting. The Olivetti people arranged for me to stay at the Jolly Hotel near [...]

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