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Archive for March 17th, 2008

In the November 19, 2007 issue of The New Yorker, in the Onward and Upward with the Arts section, there is an article by Claudia Roth Pierpont entitled The Player Kings – How the Rivalry of Orson Welles and Laurence Olivier made Shakespeare Modern. Along with the stated thesis the article consists mainly of a [...]

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