As I expected the Program from the first Artists Equity Association Spring Ball, held in May of 1950 turned up recently. The story of the Association and these fundraiser balls is told in my earlier post “Having a Ball”. What I didn’t expect was to find I had a very flawed memory regarding my mother’s entry in the program and, apparently, my father’s and Herbert Kliegl’s role in getting her the commission.
There can be no doubt that Joe Presser got the Kliegl Brothers ad via my father’s friendship with Herbert Kliegl. I can only assume that my mother’s ad for Century Lighting was via the same path. Century was new to me but a little searching reveals that both companies were not only operating in the same arena and era but that there were mutual friendships among staff members. This clip is from the excellent “A Brief History of Stage Lighting” (http://www3.northern.edu/wild/LiteDes/ldhist.htm)
Kliegl No. 5N
5″ 1000 watt spotlight
Klieglight
8″ 1000 watt spotligiht1936 |
- 1904: Louis Hartmann builds a small (5″ lens) spotlight, a baby lens, which used a 50 candle power (approximately 50 watt) lamp for David Belasco’s production of The Music Teacher.
- 1906: Hartman uses 4– 250 watt baby lenses (in addition to 31– 1,5000 watt carbon-arc spots) in Belasco’s The Rose of Ranchero.
- 1907: Edison General Electric introduces the 500 watt lamp.
- 1911: Edison General Electric introduces a “concentrated filament” lamp for use in a lens hood (spotlight).
- 1913: Kliegl Brothers markets the No. 60, a 5″ Baby Spot built around a 100 candle power lamp. According to the catalogue, the unit provided a “mild ray of light.”
- 1913: The 1000 watt lamp becomes available.
- 1916: Designer Norman Bel Geddes replaces the carbon arc lamp in a lens box with a 1000w incandecent lamp.
- 1920s: 5″, 6″ and 8″ PlanoConvex spotlights (lens hoods), using a 1000 watt lamp, begin replacing the Lime Light and Carbon Arc lamp.The illustration on the left is of a Kliegl No. 5N, a 5″ Lens Box with a 1000 watt lamp (1926). Note the similarity between the No 5 and the No 5N.
- 1929: Kliegl Brothers introduces the Fresnel lens spotlight.
- 1933: Both Kliegl Brothers (Klieglight) and Century (LekoLight) introduce the ellipsoidal reflector spotlight.
- 1971: Altman Lighting introduces the 360Q axial ellipsoidal.
- 1992: ETC introduces the Source4® ellipsoidal reflector spotlight
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Herbert Kliegl was known as a prominent citizen of Forest Hills and a lover of the opera and theater and a benefactor of the arts. His support of Artists Equity was to be expected.
Front Cover
Participating Artists
Kuniyoshi’s Welcome
About Artists Equity
Title Page
Program, Marshalls, Judges
Committees
More Committees
Sponsors and Patrons
Lewis Daniel
R. A. Florsheim
Ladislas Segy
Nicolai Cikovsky
John Groth
Chaim Gross
Leonard Lionni
Julio de Diego
Josef Presser
George Biddle
Lucille Corcos
Ben Shahn
Philip Evergood
Hazel Slaughter
Anton Refregier
Georges Schreiber
Julian Levi
Clara Klinghoffer
Stanley W. Hayter
John Peter Taylor
Gerrit Hodious
Samuel M. Adler
Raphael Soyer
Lillian MacKendrck
David Fredenthal
Emy Herzfeld
Marion Greenwood
Arthur Osver
Agnes Kovach
Alex Redein
Felix Ruvolo
Moses Soyer
Jack Levine
Frederico Catellon
Max Beckmann
Arnold Blanch
Eleanore Mizzy
Xavier Gonzales
Doris Lee
Karl Fortess
Sylvia Carewe
Milton Avery
Deshay
Hans Hoffman
Jane Eakin
Reginald Marsh
Sidney Laufman
Bertram Hartman
Peppino Mangravite
Denny Winters
Back Cover
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